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How, Deborah H.

January 2009

Arnold Schoenberg's Suite for Piano, Op. 25, is historically significant not only because it is the ...

Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method

How, Deborah H.

August 2009

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Hawner, Anita Theresa

May 1987

Includes bibliographical references (pages 53-54)This paper focuses on the latter phase of Arnold\ud...

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May 2004

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Finnegan, Sean Justin

August 1995

Although Schoenberg viewed his twelve-tone method as an extension of the Germanic musical evolution ...

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BOSS, Jack

January 2014

Dalam buku ini penulis mengambil pendekatan untuk menganalisis dua belas nada Arnold Schoenberg, men...

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The six Pieces for Orchestra are short twelve-tone compositions . Each piece is an individual entity...

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John Covach

January 2002

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Narum, Jessica

August 2013

University of Minnesota Ph.D. dissertation. August 2013. Major: Music. Advisors: Sumanth Gopinath, M...

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Boucquet, Kristof

January 2015

Schoenberg's Eight Songs op. 6 and First String Quartet op. 7 give evidence of a new, "functional" c...

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Chandler, Oliver

January 2023

Perhaps guitar composers innovated in the field of twelve-tone composition because they were not rea...

An analytical study of selected chamber works

Mtimkulu, Nosindiso W

January 2001

Bibliography: leaves 174-176.This study examines Schoenberg's compositional procedures in selected c...

Introduction

Shaw, J.
Auner, J.

January 2010

This Cambridge Companion provides an introduction to the central works, writings, and ideas of Arnol...

Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

John Brackett

January 2015

For Arnold Schoenberg, presentation (Darstellung) is an act of conscien- tious composition by which ...

Arnold Schoenberg's Prelude from the Suite for Piano, Op. 25: From composition with twelve tones to the twelve -tone method

How, Deborah H.

January 2009

Arnold Schoenberg's Suite for Piano, Op. 25, is historically significant not only because it is the ...

Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method

How, Deborah H.

August 2009

UnrestrictedArnold Schoenberg’s Suite for Piano, Op. 25, is historically significant not only becaus...

The harmonic problem in Schoenberg's twelve-tone compositions

Hawner, Anita Theresa

May 1987

Includes bibliographical references (pages 53-54)This paper focuses on the latter phase of Arnold\ud...

Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke

Fukuchi, Hidetoshi

May 2004

Composition for Arnold Schoenberg is a comprehensible presentation of a musical idea (musikalische G...

Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950

Finnegan, Sean Justin

August 1995

Although Schoenberg viewed his twelve-tone method as an extension of the Germanic musical evolution ...

Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea

BOSS, Jack

January 2014

Dalam buku ini penulis mengambil pendekatan untuk menganalisis dua belas nada Arnold Schoenberg, men...

Structure and Prolongation: Tonal and Serial Organization in the "Introduction" of Schoenberg's Variations for Orchestra

Kenneth L. Hicken

December 1974

Structure and Prolongation: Tonal and Serial Organization in the "Introduction" of Schoenberg's Vari...

Six Pieces for Orchestra

Greene, Michael, 1939-

August 1986

The six Pieces for Orchestra are short twelve-tone compositions . Each piece is an individual entity...

“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

John Covach

January 2002

This chapter traces the development of the twelve-tone idea in twentieth-century music theory

Sound and semantics: topics in the music of Arnold Schoenberg

Narum, Jessica

August 2013

University of Minnesota Ph.D. dissertation. August 2013. Major: Music. Advisors: Sumanth Gopinath, M...

"Alles was dir heilsam ist". Schoenberg and Bach's Counterpoint

Boucquet, Kristof

January 2015

Schoenberg's Eight Songs op. 6 and First String Quartet op. 7 give evidence of a new, "functional" c...

Symmetry, Schoenberg, and the Musical Idea: Denis ApIvor’s Variations, Op. 29 (1958)

Chandler, Oliver

January 2023

Perhaps guitar composers innovated in the field of twelve-tone composition because they were not rea...

An analytical study of selected chamber works

Mtimkulu, Nosindiso W

January 2001

Bibliography: leaves 174-176.This study examines Schoenberg's compositional procedures in selected c...

Introduction

Shaw, J.
Auner, J.

January 2010

This Cambridge Companion provides an introduction to the central works, writings, and ideas of Arnol...

Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

John Brackett

January 2015

For Arnold Schoenberg, presentation (Darstellung) is an act of conscien- tious composition by which ...

“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

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“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

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